著名画家仲泊游《中国神话》和《华夏源》大型水墨组画原创完成(2)

　　从大禹治水体现出中华民族奋斗崛起之精神;从嫦娥奔月展现出华夏子孙伟大的寻梦里程;从炎黄二帝驰骋疆土见证了中国人铁骨铮铮的不屈骨气;从伏羲观天上星辰察阴阳枯荣说明了华人的创新发明智慧。作者从神话中学习求索从而创作出中国神话组画。

　　It reflects the spirit of the rising of the Chinese nation from dayu. From chang 'e to the moon to show the great dream of the Chinese descendants; From the two emperors of yan and huang, they have witnessed the unyielding spirit of the Chinese people. From the perspective of fuxi, Yin and Yang of the stars in the sky explained the innovation and wisdom of Chinese people. The author learns from the myth to create Chinese mythology.

　　黄帝 The yellow emperor

　　炎帝 Yan di

　　神农尝百草 Shennong tastes the grass

　　《中国神话》系列组画(1.25×1.25米)，《华夏源》大幅八联画(5×2.5米)创作始于2017年6月至2018年2月完成，此系列作品以纸本水墨为主，烘托出虚幻神秘的黑白空间，作者以现代创作思维与意象形式，用生动笔墨表达出远古神话故事，书写出远古和当代的寻根寻梦之画卷。

　　“Chinese mythology” series of paintings (1.25×2.5 meters) “the source of an ancient name for China” big eight league draw (5×2.5 meters)creation began in June 2017 to February 2017, the series is given priority to with paper and ink, foil the illusory mysterious black and white space, the author in the form of modern creative thinking with imagery, with vivid ink expresses the ancient myths, writing out the roots of ancient and contemporary searches for the picture.

　　伏羲八卦 The Fu gossip

　　仓颉造字 Changjie make a word

　　大禹治水 Dayu water conservancy

　　作者从神话中得到艺术创作灵感，勇于摆脱国画传统习惯思维。把平面抽象构成与笔墨肌理美相结合。使画面更具现代审美渴求，东方艺术讲究是“计白守黑”阴阳相生的太极原理。画面只用黑与白这最单纯的元素构成画面更具生动感，更富阴阳相生的美感。

　　作者仲泊游在构图、空间的造型上，以抽象、意象化的成份融入新水墨画的多维时空表达中。融贯中西，其中书法线的抽象之美更具有把水墨画推向东方现代艺术的强烈的视觉感、能丰富观者的触觉和幻觉。使观者带着情感用新眼界去发掘画面的整体内涵，从而得到心灵的升华。(文/任柯)

　　The author gets the inspiration for artistic creation from mythology, and dares to shake off the traditional thinking of traditional Chinese painting. The plane abstract composition is combined with the beauty of pen and ink. To make the picture more modern aesthetic desire, Oriental art exquisite is the principle of "white guarding black" Yin and Yang. The picture USES only the simple element of black and white to make the picture more vivid, more the beauty of Yin and Yang.

　　The author, in the form of composition and space, integrates abstract and image-oriented elements into the multi-dimensional space-time expression of the new ink painting. The abstract beauty of the calligraphy line has a strong visual sense to push the ink painting to the Oriental modern art, which can enrich the viewer's sense of touch and illusion. Let the viewer take the emotion with the new vision to explore the overall connotation of the picture, thus the spiritual sublimation. (word/Ren Ke)